<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Newgate on Literaconite: Gothic Poetry and Literary Criticism</title><link>https://literaconite.com/tags/newgate/</link><description>Recent content in Newgate on Literaconite: Gothic Poetry and Literary Criticism</description><generator>Hugo</generator><language>en</language><lastBuildDate>Tue, 12 Apr 2022 14:25:00 +0000</lastBuildDate><atom:link href="https://literaconite.com/tags/newgate/index.xml" rel="self" type="application/rss+xml"/><item><title>The 18th Century Novel and Crime as a Subject</title><link>https://literaconite.com/review/the-18th-century-novel-and-crime-as-a-subject/</link><pubDate>Tue, 12 Apr 2022 14:25:00 +0000</pubDate><guid>https://literaconite.com/review/the-18th-century-novel-and-crime-as-a-subject/</guid><description>Before the detective novel, there was the criminal memoir. This essay examines how 18th century fiction turned crime into a moral laboratory — and why the guilty voice became the novel&amp;#39;s most compelling narrator.</description></item></channel></rss>