<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>The Cask of Amontillado on Literaconite: Gothic Poetry and Literary Criticism</title><link>https://literaconite.com/tags/the-cask-of-amontillado/</link><description>Recent content in The Cask of Amontillado on Literaconite: Gothic Poetry and Literary Criticism</description><generator>Hugo</generator><language>en</language><lastBuildDate>Tue, 12 Apr 2022 14:23:00 +0000</lastBuildDate><atom:link href="https://literaconite.com/tags/the-cask-of-amontillado/index.xml" rel="self" type="application/rss+xml"/><item><title>On the Relation between Poe’s The Cask of Amontillado and Vengeance as a Subject Matter</title><link>https://literaconite.com/review/on-the-relation-between-poes-the-cask-of-amontillado-and-vengeance-as-a-subject-matter/</link><pubDate>Tue, 12 Apr 2022 14:23:00 +0000</pubDate><guid>https://literaconite.com/review/on-the-relation-between-poes-the-cask-of-amontillado-and-vengeance-as-a-subject-matter/</guid><description>Poe gives us a murderer and asks us to nod along. This essay unpacks how Montresor&amp;#39;s voice seduces the reader into complicity — and what that reveals about Gothic fiction&amp;#39;s relationship with revenge.</description></item></channel></rss>